‘Scripts, Skeletons & Scriptures: Writing About Writing in Yorkshire.

I spent a more time after that wondering around the amazing galleries. I did want to find more works by Vigee Le Brun (have I ever mentioned that she’s my favourite artist?) and I was not disappointed. I’m always amazed by the humanity and the personality which she can cause her faces to express; again, I’ve seen all of these paintings in books, but it was a thrill and a joy to see them at full size, and in real life.
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The artist fled to Russia during the French Revolution...
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A note on teeth:
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Finally I walked back through the Denon wing; it was uncomfortably crowded by that stage and again I was glad to have arrived early. I was also struck by the difference in crowd numbers between the Richelieu Wing, which I’d toured, and the Denon Wing which has the “big name” artworks such as the Mona Lisa.
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One more quick visit…
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Then it was a combination walk-Metro-walk meander to my sister’s place where we had a delicious French dinner of duck confit, potatoes fried in duck fat, and salad.

Tomorrow’s agenda: bones!
 
I love her paintings too, especially those of Marie Antoinette. (I assume you've seen le Brun's portraits of the queen housed in the Palace of Versailles?)
 
The tour was nearing its end but there were a few more stops. First, Rembrandts. Lots of Rembrandts – a roomful of them, in fact. I’d visited a roomful of Rembrandts earlier this year at the Met in NYC and reflected on how blessed I am to have been able to visit the Met and the Louvre in the space of 8 months.
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This painting is particularly brilliant and powerful; I’ll let the information plaque explain why.
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The final stop on the tour was at the Louvre’s only Vermeer (it has two, but one is currently on loan to another museum). This is an example of why museum/gallery tours can be so helpful – this was a tiny painting, less than 20cm high and wide, and I’d never have been able to find it or even to know about it if it weren’t for the tour guide pointing it out.
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That was the end of the tour, which I’d very much enjoyed and appreciated. It was well worth the money and time.
And the frame on the Vermeer is exquisite
 
I love her paintings too, especially those of Marie Antoinette. (I assume you've seen le Brun's portraits of the queen housed in the Palace of Versailles?)
It's great that there's a small but dedicated community of Vigee Le Brun fans on AFF! A couple came out of the woodwork after my visit to the Met earlier this year too.

Of course she is best known for her Marie Antoinette portraits. Yet I'm going to go out on a limb here and say that even though the two of them became friends and obviously she put an awful lot of care and effort into them, they're not my favourite works of hers. I'm no art expert at all, but the Antoinette portraits, to me, just seem a little more stilted, a little less vibrant, than some of her other works. But I know I'm in the minority and the bottom line is that I'm very glad you love her Antoinette works!

Believe it or not, I haven't been to Versailles yet. It's one of those things that always seems to get put into the "We'll go next time we're here" basket. I've been to the Chateau de Vaux-le-Vicomte, on which Versailles is based (amazing story behind that actually!), and next visit (next year) we're planning to visit the Chateaux de la Loire ... but Versailles is still to come.

As I write this I'm munching on a still-warm freshly-baked baguette. Amazing!
 
but the Antoinette portraits, to me, just seem a little more stilted, a little less vibrant, than some of her other works.
I like them for the way they portray M.A. compared to other painters of her, so our comparisons are different. I don't know her other works as well to comment as you do, but I will be paying close attention next time I see any in the flesh! Thanks in advance for the new angle of appreciation.
 
The centrepiece of today was a visit to the Paris Catacombs, but it had a couple of unexpected (pleasant) twists.

I won’t go into the history of the Catacombs in great detail (feel free to click on the hyperlink above or to look them up), but it was an amazing experience. Until a few months ago I had no idea that they even existed.

Tickets are very difficult to come by – they only release a small amount at a time, a week in advance, and they invariably sell out within an hour or two of being released. But my sister had been able to snaffle 5 tickets, so the five of us (my sister, her husband, my niece, my nephew, and me) set out to catch the Metro to the official entrance in the 14th Arrondisement.

Note that I wrote that we went to the “official” entrance. My nephew just so happens to be part of a clandestine community of people who like to call themselves “Cataphiles”. These are people who like to find and spread the news of the unofficial, hidden or secret entrances and who clandestinely (I used the word “clandestinely” again because it’s so much nicer than “illegally”!) go into the several hundred kilometres of catacomb tunnels that are not open to the public. It appears to be an undergraduate thing. Nevertheless it was kinda nice to have him around as an unofficial tour guide and it must be admitted that he does know an awful lot about the Catacombs!

My introduction to the Catacombs has been very much a crash course, so hopefully someone will correct me if I have gotten anything wrong. The Catacombs began as a series of underground quarries which serviced Paris’ insatiable need for stone. However, in the 1700s Paris literally started to sink into the ground under the weight of its own buildings. So clever people were tasked with reinforcing the underground quarries, and the “Catacobs” were born.

Also in the late 1700s, Paris’ cemeteries were becoming a health issue, as well as taking up too much space. So it was decided to transfer 10 million (yes, 10 million) skeletons of Parisians who had died between about the 10th and 18th Centuries AD to the disused underground quarries – hence they became known as the “Catacombs”. I have to say that, having visited today, that 10 million figure is absolutely believable! Most of the bones were deposited between about 1785 and 1860.

My nephew tells me that what I saw today was the “sanitised” part of the Catacombs – he’s been to places where the bones are just haphazardly scattered on the ground anywhere and everywhere. Apparently, this is the largest underground ossuary in the world, and I can believe it.

(A note about the skeletons: I will not be totally able to avoid featuring photos of them below. But I will also try to confine the more explicit and potentially distressing photos to thumbnails in the post after this one [once I remember how to do that]. So if you’re interested, that’s where they’ll be.)

We began by going down 130 or so stairs, until we were about 20 metres underground.
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As you begin to walk through, you have no idea of what’s coming up.
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You pass signs carved into the walls. This one states that this tunnel was built in 1847 by a man whose surname begins with “J”, and it was the fifth tunnel he’d worked on that year.
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This tunnel was one of the earlier ones, from 1781.
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There are also signs like this, advising what street we were currently underneath.
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You pass through reminders that this used to be a working quarry.
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Soon you come to an archway with a sign: “Arrette: C’est ici L’Empire de la Mort”. Translated: “Halt. Here is the Empire of the Dead”.
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You then enter to be greeted by this sight:
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You walk through what seems to be a couple of kilometres of wall-to-wall piles of bones.

Many signs state which cemetary the bones are from, and the year they were transferred to the Catacombs.
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At various places there are quotes from the Bible and ancient literature such as Virgil.
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A lot of people involved in various uprisings (including the French Revolution itself) were buried here directly, rather than having their bodies transferred from an above-ground cemetery.
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Towards the end of our time underground we came across a larger room with this "construction" in the middle.IMG_6421.jpeg

We also saw this vertical tunnel, through which quarried rock was raised to ground-level during the catacombs’ life as a quarry.
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We emerged after about an hour. Talk about a surreal experience!
 
Now let’s see if I can manage to post some of the more “for mature audiences” photos as thumbnails. Mods, feel free to delete/edit if even that is too much.
 

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We walked out to find ourselves in quite a nice part of Paris. We ventured down the Rue Daguerre. I assume that this street was named after the Louis Daguerre who pioneered camera photography in the early 1800s? If so, that’s pretty cool! Anyway, here are some scenes from Rue Daguerre.
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Mushrooms!
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We stopped at “La Chope Daguerre” for lunch.
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My niece had a “Croque-Madame”.
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My sister had a “Beef Tartare” which she kindly offered to share with me. Equally kindly but with greater enthusiasm, I declined.
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I had a “Creamy Burrata” salad. “Would you like some salad with your tennis-ball-sized lump of cheese, sir?” But it was delicious.
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For dessert, I had a “Café Gourmand” (coffee and three desserts). I had asked for the coffee to be a cappuccino. This is what arrived.
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But seriously, one cannot leave Paris without having had a crème brulee!
 
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Did you notice all the peeling paint in the Richelieu Wing?

Don’t know if you saw, but they’ve announced a major renovation of the Louvre, including reorganisation of the galleries.

and yes, lucky to get catacombs tickets. I was eagle eyed over about three days a week ahead when I was going to be there and missed out. i’ve added an extra two days in Paris for my trip next year specifically to accommodate a catacombs ticket if I can get one.
 
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Did you notice all the peeling paint in the Richelieu Wing?
I didn't, but I'm one of the least observant human beings in existence...
Don’t know if you saw, but they’ve announced a major major renovation of the Louvre, including reorganisation of the galleries.
Interesting ... I was intending to visit the Pompidou Centre on this visit but chose not to becuase it's in the middle of a major major renovation. I would assume that they'll finish the Pompidou before getting started on the Louvre?
and yes, lucky to get catacombs tickets. I was eagle eyed over about three days a week ahead when I was going to be there and missed out. i’ve added an extra two days in Paris for my trip next year specifically to accommodate a catacombs ticket if I can get one.
Yeah, we'd been keeping our eye on them too; it was great that we were able to get tickets on the exact day we wanted -- for 5 of us, too! The Catacombs are absolutely worth it; just be aware that there are over 130 steps down and 112 steps to get up again. I'm not unfit but I was most definitely panting hard by the time I emerged!
 
Across the road from the (official) entrance to the Catacombs is a museum that I didn’t know existed: “The Museum of the Liberation of Paris”. You might not have ever realised this, but I’m a bit of a museum junkie…
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So I bid farewell to my family (more accurately, they fled from me with alacrity) and ventured into the museum. I’m always interested in history, especially history that’s told from a perspective other than the one I’ve always known. Entry was free, too.

I started by having a quick look at the small Charles de Gaulle exhibition. It includes a letter de Gaulle wrote to his wife the day after his triumphant return to Paris in August 1944.
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Then I did a fascinating tour of the underground bunker which was used during Paris’ liberation in 1944 (the Museum is on top of the bunker). Another 100-or-so steps underground was not what my body was wanted, but I took the plunge…
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… to find the actual bunker. More accurately, it’s a series of underground rooms connected by corridors.
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The tour guide then fitted an AR (Augmented Reality) headset on me. I did some VR (Virtual Reality) stuff at Kennedy Space Center earlier this year, but I’d never done any AR tour – with AR (sorry if you’re under 50 and you already know this) you can still see and hear your surroundings but other sights and sounds are “augmented” on top. So the following photos are of the bunker, but my headset was also providing other sights and sounds of what it was like in the bunker during the liberation – furniture, maps, and, most interestingly, AR staff who spoke to me and with whom I could interact. It was a bit “video game” like, but nevertheless fascinating.
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After the tour I slowly, slowly, climbed back up the stairs…
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… into the Museum proper. I was pretty weary by that stage, so I was much less diligent in my photo-taking. But it was essentially a tour of Paris pre-war, during the war, and during and after its liberation in 1944. It focused on the political situation, life for everyday Parisians, and the heroes of the Resistance and in the military who were instrumental in resisting the naz_s and liberating France and Paris.
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There was also quite a bit of intriguing information about, and discussion of, Marshall Petain – the French WWI hero who co-operated with the naz_s as the ruler of Vichy France. He was sentenced to death for High Treason after WWII, but that sentence was commuted to life imprisonment by virtue of his lifelong service to France before WWII.

I also liked the acknowledgement of the complexities, if not ambiguities, of the French response to the naz_ occupation. It was a pretty horrific time for many, if not most, Parisians … but by no means 100% of Parisians opposed the naz_s, especially at first. Petain, for one, was hugely popular and respected and more than a few people followed his lead. Especially considering that the calls to oppose the naz_s were being led by a young upstart named De Gaulle whom nobody had really heard of.
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Anyway, I was pretty weary by the time I walked out. But it took less than half an hour to get back – the Paris Metro is often crowded, but really efficient.
 
If you have time, try The Carnavalet Museum – History of Paris, which is the oldest museum in Paris, opening in 1880. 625,000 pieces from the Neolithic to the present day. I'd never heard of it until my walking tour person, discovering my interests, directed me to it.
 
If you have time, try The Carnavalet Museum – History of Paris, which is the oldest museum in Paris, opening in 1880. 625,000 pieces from the Neolithic to the present day. I'd never heard of it until my walking tour person, discovering my interests, directed me to it.
Thanks for that recommendation. I have one more day in Paris and time for one more museum! I was intending to go to the Invalides but I've just been wondering whether that might be one war museum too many after my unexpected detour to the "Liberation of Paris" museum earlier today.

I'll sleep on it and decide what to do tomorrow ... if I don't go to The Carnavalet tomorrow, I'll definitely try to get there in a future visit!

(That really is the great benefit of having relatives here: I know I'll be back!)
 
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The catophiles are an interesting bunch. My brother is one of the most well known amongst them and I cannot tell you the amount of times we walk through Paris togther and I hear his catacombs nickname (every catophile has a nickname, for obvious reasons) being called out because someone has recognised him. They get up to all sorts of fun down there - the most amazing of which was a cat-olympics a few years back. But amongst the frivolity there is a deep respect by most of them, and him in particular of the history of the catacombs. He is often interviewed as a specialist because of his extensive knowledge of the history of the catacombs (and can explain markings and plaques such as you showed photos of). So you lucked-in having one of them accompany you on the official tour. If you're game, ask your newphew to take you down the manhole version some day.
 
We walked out to find ourselves in quite a nice part of Paris. We ventured down the Rue Daguerre. I assume that this street was named after the Louis Daguerre who pioneered camera photography in the early 1800s? If so, that’s pretty cool! Anyway, here are some scenes from Rue Daguerre.
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Mushrooms!
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We stopped at “La Chope Daguerre” for lunch.
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My niece had a “Croque-Madame”.
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My sister had a “Beef Tartare” which she kindly offered to share with me. Equally kindly but with greater enthusiasm, I declined.
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I had a “Creamy Burrata” salad. “Would you like some salad with your tennis-ball-sized lump of cheese, sir?” But it was delicious.
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For dessert, I had a “Café Gourmand” (coffee and three desserts). I had asked for the coffee to be a cappuccino. This is what arrived.
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But seriously, one cannot leave Paris without having had a crème brulee!
Omg the cheese shop. Now I’m hungry
 
The catophiles are an interesting bunch. My brother is one of the most well known amongst them and I cannot tell you the amount of times we walk through Paris togther and I hear his catacombs nickname (every catophile has a nickname, for obvious reasons) being called out because someone has recognised him. They get up to all sorts of fun down there - the most amazing of which was a cat-olympics a few years back. But amongst the frivolity there is a deep respect by most of them, and him in particular of the history of the catacombs. He is often interviewed as a specialist because of his extensive knowledge of the history of the catacombs (and can explain markings and plaques such as you showed photos of). So you lucked-in having one of them accompany you on the official tour. If you're game, ask your newphew to take you down the manhole version some day.
Interesting… my nephew wore a mask during our visit, not for health reasons but because he didn’t want to be recognised. Maybe also I’ll have to reassess my “undergraduate” comment.

I’ll be sure to ask him about the cat-olympics!
 
Took me 3 visits to Paris to get a ticket as well.
And that was back in the Lonely Planet days...you had to ring up and see if they were doing it!

Berlin has a lot of bunkers and secret underground war things as well. Some are now doing tours.
 
Today is my last day in Paris, and I decided to take it easy. Yes, that’s right: I’m not visiting any museum today. Maybe the fact that I am able to choose to not visit museums makes me more a “museum aficionado” rather than a “museum junkie”?

In any case, I have a late-night flight to Manchester tonight and a massive day tomorrow, so this is possibly my final chance to take it easy. It's also nice to spend a bit of time with family before I depart.

My baguette this morning was even warmer than yesterday’s – fresh out of the oven. Bread that’s this fresh doesn’t even need butter. I just enjoyed the sensation of brand new baguette, as well as my now-customary croissants. I devoured it so eagerly that I forgot to take a photo...

Later in the morning, I ventured out with my brother-in-law along the Canal St Martin. Some pictures from the walk:
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It was a beautiful 22 degrees Celsius. We stopped for a drink beside the canal…
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… before heading back.

A laid-back Sunday morning in Paris was probably what I needed more than the Metro, queuing and viewing!
 
Today is my last day in Paris, and I decided to take it easy. Yes, that’s right: I’m not visiting any museum today. Maybe the fact that I am able to choose to not visit museums makes me more a “museum aficionado” rather than a “museum junkie”?

In any case, I have a late-night flight to Manchester tonight and a massive day tomorrow, so this is possibly my final chance to take it easy. It's also nice to spend a bit of time with family before I depart.

My baguette this morning was even warmer than yesterday’s – fresh out of the oven. Bread that’s this fresh doesn’t even need butter. I just enjoyed the sensation of brand new baguette, as well as my now-customary croissants. I devoured it so eagerly that I forgot to take a photo...

Later in the morning, I ventured out with my brother-in-law along the Canal St Martin. Some pictures from the walk:
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It was a beautiful 22 degrees Celsius. We stopped for a drink beside the canal…
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… before heading back.

A laid-back Sunday morning in Paris was probably what I needed more than the Metro, queuing and viewing!
Sometimes you just need to take it easy
 

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