‘Scripts, Skeletons & Scriptures: Writing About Writing in Yorkshire.

I spent a more time after that wondering around the amazing galleries. I did want to find more works by Vigee Le Brun (have I ever mentioned that she’s my favourite artist?) and I was not disappointed. I’m always amazed by the humanity and the personality which she can cause her faces to express; again, I’ve seen all of these paintings in books, but it was a thrill and a joy to see them at full size, and in real life.
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The artist fled to Russia during the French Revolution...
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A note on teeth:
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Finally I walked back through the Denon wing; it was uncomfortably crowded by that stage and again I was glad to have arrived early. I was also struck by the difference in crowd numbers between the Richelieu Wing, which I’d toured, and the Denon Wing which has the “big name” artworks such as the Mona Lisa.
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One more quick visit…
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Then it was a combination walk-Metro-walk meander to my sister’s place where we had a delicious French dinner of duck confit, potatoes fried in duck fat, and salad.

Tomorrow’s agenda: bones!
 
I love her paintings too, especially those of Marie Antoinette. (I assume you've seen le Brun's portraits of the queen housed in the Palace of Versailles?)
 
The tour was nearing its end but there were a few more stops. First, Rembrandts. Lots of Rembrandts – a roomful of them, in fact. I’d visited a roomful of Rembrandts earlier this year at the Met in NYC and reflected on how blessed I am to have been able to visit the Met and the Louvre in the space of 8 months.
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This painting is particularly brilliant and powerful; I’ll let the information plaque explain why.
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The final stop on the tour was at the Louvre’s only Vermeer (it has two, but one is currently on loan to another museum). This is an example of why museum/gallery tours can be so helpful – this was a tiny painting, less than 20cm high and wide, and I’d never have been able to find it or even to know about it if it weren’t for the tour guide pointing it out.
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That was the end of the tour, which I’d very much enjoyed and appreciated. It was well worth the money and time.
And the frame on the Vermeer is exquisite
 
I love her paintings too, especially those of Marie Antoinette. (I assume you've seen le Brun's portraits of the queen housed in the Palace of Versailles?)
It's great that there's a small but dedicated community of Vigee Le Brun fans on AFF! A couple came out of the woodwork after my visit to the Met earlier this year too.

Of course she is best known for her Marie Antoinette portraits. Yet I'm going to go out on a limb here and say that even though the two of them became friends and obviously she put an awful lot of care and effort into them, they're not my favourite works of hers. I'm no art expert at all, but the Antoinette portraits, to me, just seem a little more stilted, a little less vibrant, than some of her other works. But I know I'm in the minority and the bottom line is that I'm very glad you love her Antoinette works!

Believe it or not, I haven't been to Versailles yet. It's one of those things that always seems to get put into the "We'll go next time we're here" basket. I've been to the Chateau de Vaux-le-Vicomte, on which Versailles is based (amazing story behind that actually!), and next visit (next year) we're planning to visit the Chateaux de la Loire ... but Versailles is still to come.

As I write this I'm munching on a still-warm freshly-baked baguette. Amazing!
 
but the Antoinette portraits, to me, just seem a little more stilted, a little less vibrant, than some of her other works.
I like them for the way they portray M.A. compared to other painters of her, so our comparisons are different. I don't know her other works as well to comment as you do, but I will be paying close attention next time I see any in the flesh! Thanks in advance for the new angle of appreciation.
 
The centrepiece of today was a visit to the Paris Catacombs, but it had a couple of unexpected (pleasant) twists.

I won’t go into the history of the Catacombs in great detail (feel free to click on the hyperlink above or to look them up), but it was an amazing experience. Until a few months ago I had no idea that they even existed.

Tickets are very difficult to come by – they only release a small amount at a time, a week in advance, and they invariably sell out within an hour or two of being released. But my sister had been able to snaffle 5 tickets, so the five of us (my sister, her husband, my niece, my nephew, and me) set out to catch the Metro to the official entrance in the 14th Arrondisement.

Note that I wrote that we went to the “official” entrance. My nephew just so happens to be part of a clandestine community of people who like to call themselves “Cataphiles”. These are people who like to find and spread the news of the unofficial, hidden or secret entrances and who clandestinely (I used the word “clandestinely” again because it’s so much nicer than “illegally”!) go into the several hundred kilometres of catacomb tunnels that are not open to the public. It appears to be an undergraduate thing. Nevertheless it was kinda nice to have him around as an unofficial tour guide and it must be admitted that he does know an awful lot about the Catacombs!

My introduction to the Catacombs has been very much a crash course, so hopefully someone will correct me if I have gotten anything wrong. The Catacombs began as a series of underground quarries which serviced Paris’ insatiable need for stone. However, in the 1700s Paris literally started to sink into the ground under the weight of its own buildings. So clever people were tasked with reinforcing the underground quarries, and the “Catacobs” were born.

Also in the late 1700s, Paris’ cemeteries were becoming a health issue, as well as taking up too much space. So it was decided to transfer 10 million (yes, 10 million) skeletons of Parisians who had died between about the 10th and 18th Centuries AD to the disused underground quarries – hence they became known as the “Catacombs”. I have to say that, having visited today, that 10 million figure is absolutely believable! Most of the bones were deposited between about 1785 and 1860.

My nephew tells me that what I saw today was the “sanitised” part of the Catacombs – he’s been to places where the bones are just haphazardly scattered on the ground anywhere and everywhere. Apparently, this is the largest underground ossuary in the world, and I can believe it.

(A note about the skeletons: I will not be totally able to avoid featuring photos of them below. But I will also try to confine the more explicit and potentially distressing photos to thumbnails in the post after this one [once I remember how to do that]. So if you’re interested, that’s where they’ll be.)

We began by going down 130 or so stairs, until we were about 20 metres underground.
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As you begin to walk through, you have no idea of what’s coming up.
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You pass signs carved into the walls. This one states that this tunnel was built in 1847 by a man whose surname begins with “J”, and it was the fifth tunnel he’d worked on that year.
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This tunnel was one of the earlier ones, from 1781.
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There are also signs like this, advising what street we were currently underneath.
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You pass through reminders that this used to be a working quarry.
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Soon you come to an archway with a sign: “Arrette: C’est ici L’Empire de la Mort”. Translated: “Halt. Here is the Empire of the Dead”.
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You then enter to be greeted by this sight:
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You walk through what seems to be a couple of kilometres of wall-to-wall piles of bones.

Many signs state which cemetary the bones are from, and the year they were transferred to the Catacombs.
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At various places there are quotes from the Bible and ancient literature such as Virgil.
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A lot of people involved in various uprisings (including the French Revolution itself) were buried here directly, rather than having their bodies transferred from an above-ground cemetery.
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Towards the end of our time underground we came across a larger room with this "construction" in the middle.IMG_6421.jpeg

We also saw this vertical tunnel, through which quarried rock was raised to ground-level during the catacombs’ life as a quarry.
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We emerged after about an hour. Talk about a surreal experience!
 
Now let’s see if I can manage to post some of the more “for mature audiences” photos as thumbnails. Mods, feel free to delete/edit if even that is too much.
 

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We emerged, naturally, to find...

... the gift shop! In good taste? You be the judge!
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I resisted the temptation to make a purchase. I have to report that it was, in fact, one of the easier temptations to resist...
 
We walked out to find ourselves in quite a nice part of Paris. We ventured down the Rue Daguerre. I assume that this street was named after the Louis Daguerre who pioneered camera photography in the early 1800s? If so, that’s pretty cool! Anyway, here are some scenes from Rue Daguerre.
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Mushrooms!
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We stopped at “La Chope Daguerre” for lunch.
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My niece had a “Croque-Madame”.
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My sister had a “Beef Tartare” which she kindly offered to share with me. Equally kindly but with greater enthusiasm, I declined.
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I had a “Creamy Burrata” salad. “Would you like some salad with your tennis-ball-sized lump of cheese, sir?” But it was delicious.
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For dessert, I had a “Café Gourmand” (coffee and three desserts). I had asked for the coffee to be a cappuccino. This is what arrived.
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But seriously, one cannot leave Paris without having had a crème brulee!
 
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