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Like many Italian buildings, the glory of La Scala is on the inside. Generally one does a tour of the theatre with commentary, or better still, go to a performance.Through the Galleria to see La Scala opera house. A bit disappointing. Passed Leonardo on the way - would have a lot more to do with him later today.
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Still had time to kill before my entry time to Pinacoteca Ambrosiana, so I walked towards the Roman amphitheatre via Colonne di San Lorenzo.
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Wish I could remember what this was! Any ideas?
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Colonne di San Lorenzo, consisting of sixteen tall Corinthian columns arranged in a row, facing an open square. In the 4th century, the columns were relocated to this site, salvaged from somewhere else.
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Just beyond, the Porta Ticinese Medievale, one of the three surviving 12th century gates of the old Milan city wall.
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And then to the Roman theatre - shut. Turn around.
Past Cripta di San Sepolcro, which, I didn't recognise at the time is part of the Pinacoteca Ambrosiana and would have been a super place to visit - a 1030 church, visited by da Vinci, who drew a map showing it; it stands on the site of the old Roman Forum. The church is now a 'crypt' beneath street level. Next time.
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